Product Description
Band Music for Evangelism
Edited by Dr. Dorothy Gates
PrefaceChristmas is the most wonderful time of the year for so many reasons: We spend more time with family and friends, we are more generous and kind to each other, and there are usually Christmas cookies to be found somewhere in your surroundings. While these are all enjoyable reasons, the one true reason it's the most wonderful time of the year is because we celebrate the birth of our Savior! We celebrate His birth with singing and playing music and The Salvation Army has a long history of providing music that will help to share the true meaning of Christmas in your community.
This 79th edition of the American Band Journal offers a variety of new content and a new composer. Salvation Army music icons Stephen Bulla and William Himes offer Winter's Snow and Do You Hear What I Hear? These interesting additions will bring new life to any band's repertoire. Ruben Schmidt brings an exciting arrangement of Come, All Ye Shepherds that will both present a challenge to the band and also be enjoyable for the audience. The last piece in this edition brings a new composer into the series. Eric Dina, the Divisional Music Director in the Northeast Ohio Division of The Salvation Army, takes inspiration from John Coltrane in this new rendition of Greensleeves.
Enjoy this music and be blessed!
Derek W. Lance
Territorial Music Secretary
# | Title | Composer/arranger | Preview |
---|---|---|---|
340 | Winter's Snow | Stephen Bulla (ASCAP) | Score |
341 | Come, All Ye Shepherds | Bohemian Traditional, arr. Ruben Schmidt | Score |
342 | Do You Hear What I Hear? | Gloria Shayne Baker, arr. William Himes | Score |
343 | Greensleeves | John Coltrane, arr. Eric Dina | Score |
Instrumentation
Each package contains the following:
* indicates part is optionalTransposed parts in F and C (treble clef and bassclef) are available at no cost from the publisher forABJ 36 on.
Adapting the American Band Journal for Concert Band or Orchestra
The following instrument/part correlation chart will be a helpfulguide to those directors who are using the American Band Journalwith concert band or orchestra:
Full Score | 1 |
Soloist's Part | 1 |
E? Soprano Cornet * | 1 |
B? Cornet 1 | 6 |
B? Cornet 2 | 3 |
B? Flugel Horn * | 1 |
E? Horn 1 | 2 |
E? Horn 2 | 2 |
B? Baritone * | 2 |
B? Trombone 1 | 2 |
B? Trombone 2 | 2 |
Bass Trombone * | 1 |
B? Euphonium | 2 |
E? Bass | 2 |
B? Bass | 2 |
Percussion 1* | 2 |
Percussion 2* | 1 |
Adapting the American Band Journal for Concert Band or Orchestra
The following instrument/part correlation chart will be a helpfulguide to those directors who are using the American Band Journalwith concert band or orchestra:
Flute | play C Instrument 1 upper octave |
Oboe | play C Instrument 1 lower octave |
English Horn | play F Horn 1 or 2 |
Bassoon | play Baritone B.C., Euphonium B.C. or Tuba B.C. |
E? Soprano Clarinet | play E? Soprano Cornet |
1st B? Clarinet | play B? Cornet 1 |
2nd & 3rd Clarinet | play B? Cornet 2 |
E? Alto Clarinet | play E? Horn 2 |
B? Bass Clarinet | play B? Tuba T.C. |
E? Contra Alto Clarinet | play E? Tuba |
B? Contra Bass Clarinet | B? Tuba |
1st E? Alto Saxophone | play E? Horn 1 |
2nd E? Alto Saxophone | play E? Horn 2 |
B? Tenor Saxophone | play B? Baritone T.C. |
E? Baritone Saxophone | play E? Tuba |
Violin | play C Instrument 1, divisi |
Viola | no part provided |
Cello | play Baritone B.C. or Euphonium B.C. |
String Bass | play Tuba B.C. |
Piano | no part provided |
Organ | no part provided |
Keyboard Synthesizer | play C Instrument 1 part in octaves |