Product Description
HC Series Guide
Hallelujah Choruses Resources
Performance/Accompaniment CDs
Featuring the Norridge Citadel Band and selected vocalists. Each recording features both full performance tracks to provide a model for vocal groups and praise teams, and instrumental accompaniment for singers and congregation in the absence of a live band.
Instrumental Accompaniment
All arrangements are scored for brass quintet with optional percussion, piano, guitar and bass guitar.
To insure Flexibility and usefulness, the instrumental parts in this series are published in a variety of transpositions. All arrangements can be performed with a minimum of five instruments. It is essential for the conductor to see that all five parts are covered to assure proper balance.
Instrumentation: (optional parts indicated in parenthesis)Percussion parts, while optional, are very important and will greatly enhance the contemporary idiom of these arrangements.
Full score Optional Rhythm Section: Part I Bb Cornet (Eb & C) Keyboard Guitar & Bass Guitar Part II Bb Cornet/Eb Horn (F Horn) Percussion I (bells, timpani, utility) Part III Bb Baritone/Trombone Eb Horn (F Horn & Bass Clef) Percussion II (drum set) Part IV Eb Tuba, Bb Tuba (Bass Clef) ? Part V Euphonium (Bass Clef) ?
Songbook
Hallelujah Choruses songbooks are published in bilingual format with separate editions of music and words in English and Spanish. Each song is published in melody/lyrics format. Chord symbols have been provided above the melody to accommodate a variety of keyboard and string accompaniments (i.e., piano accordion, guitar, etc.)
Vocal Series
Developed for Choirs or praise teams, this format includes three-part (SAB) vocals and keyboard (with chord symbols) and is well suited for performance or in the leading of congregational singing.
Praise Paks
Ideal for praise teams. Score includes vocal (SAB/keyboard) (with Chord Symbols); 3-part brass: trumpet/cornet 1-2 (opt. Eb2) and trombone (treble and bass clef); guitar, bass and drum set. Also includes accompaniment/performance recording.
| # | Title | Composer/arr. | Length | Audio Sample | Score Sample |
|---|---|---|---|---|---|
| 161 | My Great Redeemer's Praise | Words: Charles Wesley, Music: S.L. Armitage, arr. Andrew R. Mackereth | ????????? 3.32 | (view) | |
| 162 | The Power of the Cross | Keith Getty and Stuart Townend, arr. Leonard Ballantine | ????????? 5.03 | (view) | |
| 163 | We are an Offering | Dwight Liles, arr. Harold Burgmayer | ????????? 2.50 | (view) | |
| 164 | Before the Throne of God Above | Charitie Lees Bancroft and Vikki Cook, arr. William Himes | ????????? 3.42 | (view) | |
| 165 | Never mind, Go on! | Words: Richard Slater, Music: Eric Himes, arr. William Himes | ????????? 3.37 | (view) | |
| 166 | We Fall Down | Chris Tomlin, arr. Glenn Welch | ????????? 3.34 | (view) | |
| 167 | I'm in His Hands | Words: Stanley E. Ditmer, Music: Phil Laeger, arr. Gerry Shoults | ????????? 3.13 | (view) | |
| 168 | Offering | Paul Baloche, arr. Andrew R. Mackereth | ????????? 3.58 | (view) | |
| 169 | Hallelujah! | Darlene Zschech, arr. William Himes | ????????? 4.19 | (view) | |
| 170 | There is None Like You | Lenny LeBlanc, arr. Martyn Scott Thomas | ????????? 3.33 | (view) |
